Mp3 music: Glenn Miller

Artist: Glenn Miller: mp3 download    Genre(s):  Jazz Other     Glenn Miller's discography:      The Best of Glenn Miller and his Orchestra    Year: 2000    Tracks: 23      Christmas Serenade In The Glenn Miller Style    Year: 1995    Tracks: 12      In the Christmas Mood, Vol. 2    Year: 1993    Tracks: 12      Here We Go Again    Year: 1993    Tracks: 15      Moonlight Serenade [Ranwood]    Year: 1992    Tracks: 16      The Collection    Year: 1991    Tracks: 15      Big Band Bash    Year: 1990    Tracks: 22      The Genius Of, Vol. 1    Year: 1987    Tracks: 15      The Unforgettable    Year: 1985    Tracks: 16      The Glenn Miller Story Vol. 2    Year: 1975    Tracks: 12      The Glenn Miller Story    Year: 1962    Tracks: 10      The Lost Recordings    Year: 1952    Tracks: 26      Major Glenn Miller - The Lost Recordings Vol. 2    Year: 1944    Tracks: 18      Major Glenn Miller - The Lost Recordings Vol. 1    Year: 1944    Tracks: 17      Moonlight Serenade - The Immortal    Year:     Tracks: 1 Glenn Miller's reign as the to the highest degree democratic bandleader in the U.S. came relatively later in his calling and was comparatively brief, lasting but near three and a half years, from the spring of 1939 to the fall of 1942. But during that period he perfectly dominated pop euphony, and over metre he has proved the to the highest degree imperishable public figure of the dangle epoch, with reissues of his recordings achieving gold record status 40 days after his dying. Miller developed a distinctive level-headed in which a high-pitched clarinet carried the tonal shape, two-fold by a sax incision playing an octave lower, and he used that well-grounded to give rise a series of hits that rest definitive examples of swing out music. Miller's approach is non much comprehended by malarkey fans, wHO prefer bands that allow for greater improvisation than was found in his highly disciplined, strictly rehearsed unit. But he brought the swing vogue of democratic music to a layer of sophistry and commercial acceptance it had non previously achieved and would not chat once more after his wrong qualifying. Miller was the son of Lewis Elmer and Mattie Lou Cavender Miller. He lived in several locations in the Midwest while he was growing up. He number one took up the mandolin, then switched to a horn. In Grant City, MO, where his family affected in 1915, he coupled the ithiel Town band and began playing trombone. By 1918, the family had affected to Fort Morgan, CO, where he played in the high schooling band and graduated in May 1921. He immediately joined the Boyd Senter ring, just take leave to commence college at the University of Colorado in January 1923. After a yr, however, he left hand college and touched to Los Angeles, where he united Ben Pollack's ring. In the summertime of 1928, he left Pollack and settled in New York, where he worked as a session instrumentalist and organiser. When in the spring of 1934 Tommy and Jimmy Dorsey formed the Dorsey Brothers Orchestra, he signed on as trombonist and organiser, left over with the band almost a yr. He left to organise an American ring for British bandleader Ray Noble that made its debut at the Rainbow Room in New York's Rockefeller Center. Meanwhile, he was perusing theory and composition with Joseph Schillinger. Arthur Miller began recording under his have identify for Columbia Records on April 25, 1935, victimization a pickup band containing members of the Noble orchestra. His instrumental "Solo Hop" reached the Top Ten in the summertime of 1935. But he did non organise a lasting touring band of his have until 1937, when he sign to Brunswick Records. The mathematical group was not a success, and he disbanded it in early 1938, then reorganised a couple of months later and gestural to the discount-priced Bluebird subsidiary of RCA Victor Records. Still without whatsoever great success, he managed to defend this orchestra for the next yr until he got his fully grown break-dance with an involvement at the Glen Island Casino in New Rochelle, NY, in the summertime of 1939. Glen Island was a major swing locale with a wireless wire, gift the band all-inclusive exposure. Already, Miller had hit the charts with the Top Ten hit "Sunrise Serenade"; shortly, its flipside, "Moonshine Serenade," would get an even larger hit. "Wishing (Will Make It So)" (vocal by Ray Eberle) hit number one in June. Ultimately, Miller scored 17 Top Ten hits in 1939, including the subsequent chart-toppers "Stairway to the Stars," "Moon Love," "Over the Rainbow," and "Blueish Orchids" (all vocals by Ray Eberle), as comfortably as "The Man With the Mandolin" (vocal by Marion Hutton). Miller's recording success lED to other opportunities. He became the star of the three-times-a-week radio serial Chesterfield Supper Club in December 1939 and began the start of several prolonged engagements at the Café Rouge in the Hotel Pennsylvania in New York in January 1940, besides appearing now and then at the Paramount Theatre. He scored 31 Top Ten hits in 1940, more than than threesome times as many as the second to the highest degree successful transcription artist of the year, Tommy Dorsey, striking number one with "Regardless," "When You Wish Upon a Star," "Imagination," "Fools Rush In (Where Angels Fear to Tread)," and "Blueberry bush Hill" (all vocals by Ray Eberle); "The Woodpecker Song" (vocal by Marion Hutton); and the instrumentals "In the Mood" and "Tux Junction" (both of which were later inducted into the Grammy Hall of Fame). Arthur Miller scored another 11 Top Ten hits in 1941, which was sufficiency to make him the top recording creative person for the mo yr in a row. His number one hits included "Song dynasty of the Volga Boatmen," "You and I" (vocal by Ray Eberle), "Chattanooga Choo Choo," from his first base film, Sun Valley Serenade (vocals by Tex Beneke and the Modernaires with Paula Kelly), and "Elmer's Tune" (vocals by Ray Eberle and the Modernaires). The chronicle was much the same on the recording front in 1942, 11 Top Ten hits and a third straight ranking as the year's upper side recording artist, the chart-toppers including "A String of Pearls," "Moonlight Cocktail" (vocals by Ray Eberle and the Modernaires), "Don't Sit Under the Apple Tree (With Anyone Else but Me)," and "(I've Got a Gal In) Kalamazoo" (vocals on the last iI by Tex Beneke, Marion Hutton, and the Modernaires). "Kalamazoo" came from Miller's endorsement film, Orchestra Wives. Yet 1942, the first full class of American participation in World War II, marked the end of Miller's authority of popular music, since, after months of negotiations, he staged to welcome an officer's charge in the army air force play on September 10 and, 17 days subsequently, played his final date with his band, which he then stony-broke up. He organized a service dance band and began playacting at military camps and war-bond rallies spell hosting a weekly receiving set serial publication, Sustain the Wings. Nevertheless, he scored deuce more Top Ten hits in 1943, including the phone number one "That Old Black Magic" (vocals by Skip Nelson and the Modernaires). He took his band to Great Britain in June 1944 and continued to perform for the military personnel and do radio broadcasts. He was preparing to go on to Paris when the plane on which he was travel disappeared o'er the English Channel and he died at age 40. Glenn Miller, an album of 78 revolutions per minute records, topped the fresh instituted record album charts in May 1945 and became the most successful record album of the class. The Glenn Miller Orchestra was reconstituted as a touch ring afterward the war under the focus of Tex Beneke. In October 1947, Glenn Miller Masterpieces, Vol. 2 topped the album charts. Miller was the subject of a partially fictionalized photographic film life story, The Glenn Miller Story, stellar James Stewart, in February 1954; a soundtrack album of re-recordings non featuring Miller, released by % Records, collide with number unitary in March. RCA Victor countered with the 10" LP Selections from the Glenn Miller Story, which collide with number unitary in May. (The album was reissued as a 12" LP with a limited track choice in 1956 and was certified gold in 1961. In 1962, RCA Victor released Glenn Miller Plays Selections from the Glenn Miller Story and Other Hits, which had an indistinguishable track list to the 1956 Selections from the Glenn Miller Story LP. It went gold in 1968.) The Miller estate, having parted ways with Tex Beneke, chartered Ray McKinley, a early appendage of the Miller band, to phase a new ghost band in 1956, and this Glenn Miller Orchestra continued to criminal record and perform under various leadership from then on. In 1959, RCA Victor released a triple LP of antecedently unissued performances, For the First Time ..., which earned a Grammy nomination for Best Performance by a Dance Band. Reissues of Miller's original recordings sold advantageously perennially. The double-LP A Memorial 1944-1969, released in October 1969, went gold in 1986; Pure Gold, released in March 1975, went gold in 1984. In 1989, Jive Bunny and the Mastermixers sampled Miller's transcription of "In the Mood" on their gold single "Get around the Mood." While RCA Victor remains the primary monument of Miller recordings and continues to reprint them in various configurations, other labels have likewise add up up with airchecks and early frame recordings, qualification for a expectant and always growing catalogue.